Black Leopard Red Wolf is the second novel I’ve read by Marlon James, and in it he crosses genres into fantasy, a land that I often think of as being inhabited by the sorts of true believers who resent those not approved by the Tolkien groupies. That’s not so true, as writers like Samuel R. Delany and Stephen Donaldson attacked the generic boundaries early in its incarnation as popular fiction, and BLRW continues the exploration that those two began.
- It took me longer than I expected to get into this novel. I’ve been excited to read it since I finished A Brief History of Seven Killings, but the sort of casual way that James introduces us to his characters felt haphazard, and the various plot threads felt way too spread apart.
- By the end, for what it’s worth, I couldn’t put it down.
- The narrative point of view is fairly amazing. We spend much of the novel inside Black Wolf’s head, a pretty unusual point-of-view from a fantasy novel perspective. At times he becomes so embroiled in his own rage and lust for revenge (his mantra is “fuck the gods”, if you are curious about his motivations) that he acts in ways that we could consider not all that heroic, especially if your definition of heroism includes piety.
- Curiously, James never apologizes for Tracker’s bloody ways, even in the ways that the novel ends. He doesn’t magically transform (although his motivations for revenge, the vampire killing a bunch of children whom the Tracker was a father-figure too, feel pretty primal and in some ways justified) into some sort of redemptive figure.
- In fact, Tracker does not even get the kill (you knew the evil folks were gonna die, right?).
- Black Wolf is a tracker (and he’s known in the novel as Tracker, not Black Wolf, in case Black Panther fans get too worked up), an archetype that does not constitute any previous fantasy hero’s identity as far as I can recall. For instance, Aragorn was often called the best tracker of his age, but that characteristic simply helped us understand how different he was from previous kings, establishing his worthiness.
- The general ways that James uses archetypes from African mythology is fascinating and really cool, and I am working on another project that attempts to map these figures onto to the deeply nordic base of most fantasy fiction.
- The setting is also intense – deep forests, ancient cities, sort of standard in interesting ways.
- I will need to figure out the boy who would have been king at some other time. Suffice it to say that patrilineage, matrilineage, and the increasingly chaotic nature of government by nobility is a backdrop to what is coming next.
- The novel also sets the next stage, with the appearance of the inhuman white scientists, and the god-killer figure warning Tracker that an entirely different threat is coming, soon. The threat looks suspiciously like colonialism.
I am looking forward to the rest of the series…