The Shape of Water burst on the scene shortly before the re-issue of Mrs. Caliban by Rachel Ingalls, but Ingalls beat del Toro to the story by 35 years as this novel features a housewife in a marriage that seems stagnant who falls for a sensitive male of another species. Water is definitely involved.
- Making the protagonist Mrs. Caliban is just one of the many brilliant moves in this novel. Ingalls calls attention directly to gender roles and expectations with the title, and by positioning the canon’s wimpiest monster opposite Larry (the monster in this novel) being someone who can kill – he does so out of self-defense, and does so brutally – reverses Prospero’s cultural dominance in favor of a monster who actually becomes the sort of ideal partner that Dorothy wishes she had.
- While Prospero tames Caliban, demonstrating masculine and English superiority over all types of Others, Dorothy falls in love in an almost traditional way with her monster. Their relationship is not one of master-servant (a trope for marriage that seems to fall apart while we watch among Dorothy’s social circle) but rather a contemporary good marriage, with a true partnership between equals rather than a series of passive-aggressive territory contests of the sort that middle class marriages degenerate into in the world of this novel.
- Larry seems more perplexed by the insanity of Dorothy’s world than she does by his. Of course we get to see her world and not his, but the ever-shifting alliances of marriages in Dorothy’s circle are hard to fathom, and become almost labyrinth-like. There simply are no good marriages, as men cheat, women cheat, and the ideal of the American household falls completely apart.
- The larger context that Ingalls works from is suburbia, and her portrayal of it makes middle-class citizens of the USA seem more savage than poor Larry…
- And by the way, this novel contains inter-species sex…don’t say you weren’t warned.