I finished my reread of Dust of Dreams, and, well, all I can say is thoughts are below…
- I’m trying to understand the Warrens and their use, and part of what I’ve come to believe them to be seems very oriented towards the way I understand physics (and not the way that actually is described by real (quantum) physicists). Magic flows along channels, channels that in this series are also the veins and arteries of gods, and various entities can tap into those channels and form the magic in ways that are both creative and destructive.
- Destructive seems to be the most popular choice though.
- All of this has to do with materializations of energy and power, of which the border between seems chaotic and constantly shifting (and perhaps not a border like I think of them at all).
- The tapping into (along with the image of blood flowing through veins) makes them seem like flows in ways that don’t fit the reality of the world of Malazan. When characters step into a warren, they recognize the landscape (for the most part), and they’re underwater or in a river of energy or anything like that.
- They seem to be places where characters can survive, although perhaps not on a long-term basis. The feel to me almost like Dali paintings but darker, seen through the lens of Escher perhaps, twisted and surreal.
- And maybe thinking of them as surrealist connections to the world of Malazan makes as much sense as anything else.
- The other component of this novel that struck me was the Snake, an animal consisting entirely of children who eat insects and each other fleeing from the changing climate and the Forkrul Assail.
- I want to read fantasy as a way to think about our current times (and our relationship with history), and this is Erikson at his darkest – the adults have utterly failed, and children have banded into an animal of their own, taking the role of refugee, another trope of human history that rarely fits into fantasy.
- If I remember correctly, the discovery of the Snake by the remnants of the Bonehunters in the Glass Desert finally breaks the last Malazan army, a fitting ending for a series that understands that the one thing that humans are really good at is killing each other, but the one thing that should bring them together are children.
- I think upon the first read this was the first in the series that made me think that A Song of Ice and Fire wasn’t all that it was cracked up to be, and that Erikson and Esslemont had created a truly unique world that despite having almost no connection to our own fit within what we understand as reality perfectly.